Archive for February 2016

The Fisher Fling

Last night, Peyton Manning delivered Denver a championship and essentially completed his improbable transformation into Tim Tebow.

While his big brother Sheriff was busy not losing Super Bowl 50, New York “Deputy” Eli Manning was weirdly foreshadowing my immediate response to Monday’s Derek Fisher firing.


As many local Orange and Blue junkies (including the other 4/5ths of my inglorious Knicks texting group “Janis Porzingis“) rejoiced, I involuntarily projected genuine surprise sans shock.

The Knicks have now fired their head coach in four consecutive presidential election years (Fisher follows Don Chaney – 2004, Isiah Thomas – 2008, and Mike D’Antoni – 2012). This is an especially incredible streak considering they also don’t discriminate from seat changes during midterm election cycles (Larry Brown – 2006, Mike Woodson – 2014).

The Knicks may be the only organization more volatile than 2016’s GOP (though Vivek’s royal shitshow certainly gives them a run for their millions), but this sudden move feels more pragmatically proactive than pridefully impulsive.

In his second Sports Illustrated column, former Grantland scribe Andrew Sharp asserts “This could definitely be James Dolan watching the past two weeks and deciding to blow his kazoo. But if you’ve been paying close attention to the Knicks, it’s more likely that Phil Jackson is worried about the next two years. He saw something he didn’t like, and he realized that the only move crazier than firing Derek Fisher now was hiring him in the first place.”

My fellow Knicks apologists need to passionately cling to this belief as warmly as Peyton embraced Papa John before going to Disneyland.

After all, who will remember John Fox?






THE REVENANT & Leo’s Celebrity

Really enjoyed my friend Evan Klonsky’s REVENANT review. Some (brief) follow-up commentary:



“Mr. DiCaprio” is so special because he’s always occupied unique territory in the dead center of a “method vs. personality star” Venn diagram.

His (Hugh Glass-esque) relentless commitment to roles never comes at the expense of a “Leoness” that isn’t clearly definable. Denzel Washington and Tom Hanks are also method/personality hybrids, but their distinguishing traits are significantly easier to distinguish.

Leo’s public persona/mystique is performance art that continues to evolve with/throughout his career. THE REVENANT is no less about celebrity than Iñárritu’s BIRDMAN.